Jonathan and Sonnie at a beach close to Jaffa port, Tel Aviv. The breeze from the sea was incredibly comforting.
The video was color graded with Da Vinci Resolve 12, which just came out. I had to try it since pretty much all the Hollywood colorists use it. The learning curve is steep but the power is undeniable. I didn’t spend a lot of time color grading this footage since I just wanted to get my feet wet. I will wait until the next project before attempting the power mask feature.
“Dad, are you going to miss me?” Joseph blurted out suddenly, as we cruised along Highway 1 on the way to the airport.
“Nah,” I replied. I couldn’t see his face since I was watching the road, but he knew that I was kidding.
We have not talked to each other much lately. It has been that way for a while. I always liked him being around though. Just feeling his presence was enough sometimes.
“Joseph,” I broke the silence. He barely gazed away from his phone.
“You have a whole adventure in front of you. Fall in love, get dumped, make new friends, taste everything. Find out for yourself what life is all about.” He looked back down at his phone, but I knew he heard me.
It didn’t seem that long ago that I held him like a football on my side, as he laughed, while our Golden Retriever barked at us playfully.
Time crawled with as we were waited at the check-in line, but I didn’t mind. It would be awhile before we see him again.
As he walked through the metal detector, we waved our final good-bye. I turned around silently, holding back tears; squeezing Sonnie’s hand gently. We silently walked back to the parking lot, barely noticing the warm humid breeze.
A young girl at the Korean/Palestinian youth cultural exchange event at Qusin, a small village just outside of Nablus — 99.9% Muslim. What does her future hold?
This section of the wall is probably the most well known landmark at
Kalandia / Qalandiya, a Palestinian refugee camp and a checkpoint between Ramallah and Jerusalem. It reminded me of death, birth then life, as I squeezed the shutter.
It’s going to be a good harvest here in Jerusalem this year.
The pastor of the church asked Sonnie to make the painting of the Jesus crucifixion more realistic. At the time of the original painting, it was against the law to paint something so graphic.